(a.k.a. Vhmckenzie)
The beautiful and bold pieces created by Victoria McKenzie cannot be ignored. Her vibrant portraits draw you in, involving you in a way few visual artists can.
Below are the transcripts of my e-mail interview with Victoria. Please feel free to click on any of the images to see more of her shop.
Q.How long have you been creating art?
I suppose all of us begin making art when we are children. I come from a family of artists -- my grandfather was a designer and illustrator by profession, my mother painted watercolors as a hobby while I was growing up, and my aunt, is an accomplished watercolorist. So when you see your family members committing time to making art, it gives you permission, so to speak, to consider it worthy of your time and effort. Still, I don't think I took it seriously as a passion until I was in college. By then I already was pursuing an undergraduate degree in history, but was encouraged by a fine art professor at Brown, where I was a student, to pursue drawing and painting more seriously.
Q.What inspires you the most to create? How do you find inspiration?
I am reminded of a quote by Chuck Close --" Inspiration is highly overrated. If you sit around and wait for the clouds to part, it's not liable to ever happen. More often than not work is salvation." I find that to be true. Inspiration really comes from within, from an overwhelming need to draw or paint whether it is a simple salt shaker or a majestic mountain. Once you sit down and get to work, because it IS work, I've found that whatever it is that I begin to create becomes the inspiration for itself. The art you make leads you and "inspires" you to keep moving forward. And, ultimately, if you are keen to the process, it will tell you when to stop. Does that make sense?
Q.What is the biggest challenge you face with your art?
I'm very good at getting started, my enthusiasm at the outset of a new painting or drawing can be boundless. But I occasionally reach a point where I hit a brick wall. I know the piece isn't finished but I'm uncertain where to go next. Often I will find that a painting has given me an idea for what my NEXT painting should be. I'ts difficult to put that distraction aside, the lure of the next project, and really tackle the path to completion of the current piece.
Q.How would you describe your color palette?
I love rich jewel tones, saturated colors of every hue. Color is like food to me, I can't get enough. And I'm fairly brave in my use of color. I've taken the traditional color theory classes but usually go with my gut/visual instincts. I studied privately with an expressionist painter, Beverly Brodsky, for many years and she often said that my color instincts were so strong that she actually discouraged me from taking any more classes or studying color theories any further -- she was afraid I'd blunt my instincts by
"overthinking" every color step. And she's right.
Q.What is your favorite medium? Least favorite?
I don't have a favorite -- at least not for the reasons you would think. I like the simplicity of working with watercolor , in terms of its set up and quick drying time. But I like the fluidity of working in oils and the ability to constantly change and evolve a painting over time. No mark is permanent in an oil painting, whereas watercolor is a lot less forgiving. I also love the fluid lines of ink, which I draw with a bamboo pen. So spontaneous and unpredictable.
Q. How do you work best? Do you have access to a studio?
I have a small extra room in our apartment that is devoted to my art. It's not spacious but it gets great light and I can separate myself from the hubub of the family and its distractions without having to leave our home altogether. I work best in the morning through early afternoon. By evening, I'm exhausted (job and family) and never can get anything but organizational work done. I try to leave stretches early in the day for creating. Night time is for business.
Q.What is your favorite subject matter? Least favorite?
I find the figure and portraiture probably my most favorite. I'm not a big landscape fan, tho I do enjoy isolated elements from the environment -- plants and trees, for example.
Q.How do you decide what to focus a piece on?
Again, as with "inspiration", the piece will lead you down that road once you begin. If I decide to do a portrait of a particularly compelling face, you never know what will be the most intriguing element of the piece until you get going.
Q.Would you say that your pieces tell a story/have a narrative?
I think the most compelling pieces are those that may tell some PART of a story but also have a great deal of ambiguity, leaving some questions unanswered.
Q.Is there anything else you'd like to add?
I'm excited to be on the path of whatever art lies ahead of me. I'm always looking forward to the next painting and watching my own work evolve and change. Can't stand still, rest on your laurels or repeat yourself. Every painting teaches me something and paves the way for the next. It's exciting not knowing where I will be next.
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Thank you to Victoria McKenzie for being so wonderful at answering all of my questions!
For everyone else: please make sure to check out her shop [a!] www.vhmckenzie.etsy.com










